Tuesday, 13 June 2017


This film is part of the rehearsals for the biomechanics section of the film Meyerhold Theatre and the Russian Avant-garde. The film is Not about how to do biomechanics but why Meyerhold devised this acting system. This footage shot in Moscow was incorporated into the film but the full version of this rehearsal will appear later. To download the full Meyerhold film click on this link http://filmdiy.com/all-movies/item/339. The actors are William Pease and Oxana Petrovna.

Wednesday, 7 June 2017

Premiere - Stanislavsky and the Russian Theatre

The Russian Theatre Film Series - Book

This post first appeared on my blog but it is worth repeating to reach a different audience here. This book is the third by Michael Craig. The first being Journey to Ogasawara which was an account of the making of the film David Burliuk and the Japanese Avant-garde and Encounters with the Russian Avant-garde.It’s difficult to find an appropriate description of the book "The Russian Theatre Film Series". Essentially it is an account of an arts documentary series with all its pitfalls, successes, limitations and achievements. The three films which have so far been completed are "Meyerhold, Theatre and the Russian Avant-garde", "Stanislavsky and the Russian Theatre" and "Vakhtangov and the Russian Theatre". This book is part of the overall project - The Russian Theatre Film Series and is a milestone and a marker in this developing project

Also it is a commentary on what it means to make an independent arts documentary film series in a foreign country namely Russia. Not so much from the technical point of view although there is plenty of technical aspects covered but more from the point of view of a kind of interior process. It is an expedition into the phenomenology of film-making, what obstacles have to be overcome, both physical and technically but more importantly some of the lived experience of film-making. For some people making independent films is a way of life in the same way that for others theatre is a way of life or acting is a way of life or painting or whatever is a way of life. You can't live without it or outside it. The fact that you have to spend a year or two of your life on each film means that it is a life decision. So it has an existential element and this quality of film-making is explored in the book. How the series came about, what were the thought processes involved in the development of the series, which influenced the series overall - who helped who didn't, why things went wrong and why they went right. The book is a staging post on the way to further developments clearing the ground before moving forward to the next phase - a book about The Fairground Booth plus a film on this subject.

Stanislavsky and the russian Theatre - Interview Smeliansky

Stanislavsky and the Russian Theatre

Meyerhold, Theatre and the Russian Avant-garde

Vakhtangov and the Russian Theatre

This is a clip from the 52 minute documentary - Vakhtangov and the Russian Theatre. Vakhtangov eventually became one of the foremost d...